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Profiling Shakespeare, by Marjorie Garber
Download PDF Profiling Shakespeare, by Marjorie Garber
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The title of this collection, Profiling Shakespeare, is meant strongly in its double sense. These essays show the outline of a Shakespeare rather different from the man sought by biographers from his time to our own. They also show the effects, the ephemera, the clues and cues, welcome and unwelcome, out of which Shakespeare's admirers and dedicated scholars have pieced together a vision of the playwright, whether as sage, psychologist, lover, theatrical entrepreneur, or moral authority. This collection brings together classic pieces, hard-to-find chapters, and two new essays. Here, Garber has produced a book at once serious and highly readable, ranging broadly across time periods (early modern to postmodern) and touching upon both high and popular culture.
Contents: Preface� 1. Shakespeare's Ghost Writers� 2. Hamlet: Giving Up the Ghost� 3. Macbeth: The Male Medusa� 4. Shakespeare as Fetish� 5. Character Assassination� 6. Out of Joint� 7. Roman Numerals� 8. Second-Best Bed� 9. Shakespeare's Dogs� 10. Shakespeare's Laundry List� 11. Shakespeare's Faces� 12. MacGuffin Shakespeare� 13. Fatal Cleopatra� 14. What Did Shakespeare Invent?� 15. Bartlett's Familiar Shakespeare
- Sales Rank: #2602149 in Books
- Published on: 2008-03-26
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 6.00" w x .75" l, 1.10 pounds
- Binding: Paperback
- 368 pages
About the Author
Marjorie Garber is William R. Kenanm, Jr., Professor of English and American Literature and Language and chair of the Department of Visual and Environmental Studies�at Harvard University. Her recent book, Shakespeare After All (Pantheon, 2004), was chosen as one of Newsweek's ten best nonfiction books of the year and was awarded the 2005 Christian Gauss Book Award from Phi Beta Kappa.
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By S. Gilbert
This is a brilliant treatment of our beloved Bard! Dr. Garber deconstructs his life, what may have informed his writing, his possible motives, as well as turning an interesting focus on our personal investments (our fetishes, she calls them) toward his works. Honest and respectful without the typical sappy reverence to his genius. Scholarly but friendly read.
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